Dancing Cheek to Cheek

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[edit] General Information

Sociopolitical Documentary hosted by Lucy Worsley and Len Goodman, published by BBC in 2014 - English narration

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Len Goodman and Lucy Worsley uncover the British love affair with dancing, exploring the nation's favourite dances from the 17th to the 20th centuries.

[edit] The Devils Work?

Len Goodman and Lucy Worsley explore how dancing went from being frowned upon as dangerous and debauched in the 17th century to being celebrated as an essential social skill in the 18th century. The pair begin by joining a group of performing arts students on Ickwell village green to learn the cushion dance, a 17th-century favourite with a rather raunchy reputation. Len uncovers the long history of English country dancing at Middle Temple Hall, where he meets a group of young barristers trying their hand at a dance that might have been performed there by their 17th-century equivalents. Lucy reveals how the dance-mad French King Louis XIV set the fashions followed on this side of the channel as she learns a Baroque court dance designed to express her deepest emotions. By the 18th century dancing had lost its dubious reputation and Lucy visits the York Assembly Rooms to find out how this new Georgian institution opened up the dance floor to more people than ever before. Business was now booming for dancing masters and Len studies a rare dance manual at the Bodleian Library in Oxford to discover what they taught their pupils. The minuet was the 18th century's answer to Strictly Come Dancing as couples performed before a crowd of critical onlookers and Len and Lucy learn this fiendishly difficult dance for a grand finale at their own Georgian ball at Syon Park. The pair dress to dance in full period costume as Lucy discovers that her 18th-century dress is ingeniously engineered to enforce the perfect posture demanded by the minuet and Len masters the art of dancing in heels and a wig.

[edit] Revolution on the Dance Floor

Len Goodman and Lucy Worsley reveal how Britain's dance floors were revolutionised in the 19th century, as the slow and stately dances of an earlier era were replaced with new dances that were faster, freer and a lot more fun. The industrial revolution changed the way ordinary people danced, and at Queen Street Mill in Burnley, Len uncovers the fascinating story of how factory workers developed clog dancing to imitate the sounds and rhythms of the machinery they used. Lucy discovers how upper-class dancing tastes were transformed by the introduction of the waltz at the beginning of the 19th century, which allowed couples to dance scandalously close. In the 19th century, a greater proportion of the population than ever before lived in cities, and Len visits one of London's most beautiful Victorian gin palaces to find out about the drinking and the dancing that went on at a typical working-class knees-up. Whilst the working classes were letting their hair down, the middle classes were enjoying the latest dance music in the comfort of their own homes thanks to the invention of the upright piano. Lucy tries her hand at the 19th century's favourite tune - the Blue Danube waltz - on the piano once played by the Brontë sisters. At the Czech and Slovak Club in London, Len discovers the rustic roots of the 19th century's biggest dance craze - the polka. Together Len and Lucy take a series of polka classes with Darren Royston, historical dance teacher at RADA, as they prepare to dance it at a grand finale ball dressed in their full Victorian finery.

[edit] The Shock of the New

Len Goodman and Lucy Worsley discover how the first few decades of the 20th century witnessed the most rapid and revolutionary change in the history of British dance. The bold new sound of ragtime music arrived on our shores from America and paved the way for wave after wave of new dances that would take the dance floor by storm. Len gets to grips with quirky animal dances before exploring how a young couple called the Castles found fame as the first dancing screen icons. Lucy discovers how, whilst many people lapped up the new American imports, one woman saved that most English tradition, morris dancing, from extinction. The First World War marked a pivotal moment - after the armistice everyone wanted to dance and Britain was swept up in the greatest dance boom the country had ever known. Palais de Danse opened across the country and for the first time dancing became a big business opportunity, with the dancing public holding sway over what was in or out of fashion on the dance floor. Len and Lucy explore how we danced in interwar Britain and how women's new-found freedoms were epitomised by the iconic and reckless dancing girl, the flapper. They visit that most famous dance floor, the Tower Ballroom in Blackpool, to examine how dancing professionals sought to take back control with standardisation of music and dancing. Finally, under the tutelage of Darren Royston, historical dance teacher at RADA, Lucy and Len put together one final performance of the most iconic dance from the era, the Charleston, in full period costume in front of a crowd at the famous Cafe de Paris in London.